01 / CONSOLE
Mixing console
Balance, character and the detail in between.
ParaMix
02 / THE APPROACH
From the first vocal to the final bounce. Explore the details that shape your sound.
YOUR SOUND,CONNECTED
INSIDE THE PROCESS
Bring the vocal forward with focused balance, careful dynamics and effects that fit the performance.
Create separation between kick and bass, preserve the groove and shape the weight of the record.
Build a sense of space with deliberate panning, ambience and effects that support the arrangement.
Check the balance from different listening perspectives, with attention to mono compatibility and the core of the song.
Refine the final tonal balance and dynamics, with the delivery format and intended release in mind.
Develop a consistent sonic direction across singles, EPs and albums while preserving the identity of each track.
HOW WE WORK
Three things you get on every booking — and one thing that makes the result yours instead of merely correct.
First full mix in 3–5 business days. We give you the date when the booking is confirmed, and we hold it — technical work like phase checks, cleanup and editing is done before the creative pass starts, so nothing queues behind it.
Finished, release-ready delivery: 7 business days.
Before a single plugin is opened we write back what we think the record is: what it is about, what the listener should feel, and which references you want it measured against. You confirm that target before we start.
You also get a delivery sheet — what is included, what we need from you, and what "done" means for this song.
Nothing ships until it has been checked in four places — car, headphones, phone speaker, low volume — and then left alone for a day and heard again with fresh ears.
When those four disagree, that usually means nothing needs changing. Revision rounds drop when the first version is already right.
FULLY BESPOKE
That is why nothing here is judged against a soloed track. Every decision is measured against the whole record — the arrangement, the space, the way the chorus lands. A mix that measures clean and a mix that sounds like the record you had in your head are two different jobs. We are hired for the second one.
Hear it first. Then touch a fader.
BEYOND THE MIX
Optional work that goes past the mix itself — for artists who want the whole release handled, not just the audio.
Artwork direction and design for the release, worked out with you rather than handed over. Delivered as files sized for the platforms you are shipping to, so nothing gets cropped or rescaled badly at upload.
Bring the parts you are unsure about — a hook that is not landing, a second verse that feels long, an ad-lib idea you cannot place. We work through arrangement and structure with you and say plainly what we would cut.
Practical guidance before you record: microphone choice and placement, gain staging, what the room is doing to your takes, and how to get a vocal to sit the way you want without fixing it later.
Tell us which of these you want when you book, so we can scope it into the quote.
Ordering a mix
Four steps from your stems to your release. None of it is unusual. We just prefer to write it down before money changes hands.
Name the files clearly and align them to the same start point. Include your rough mix, the tempo, the sample rate and anything you want kept as it is.
You get the track count, the revision scope, the delivery list and the schedule in writing. Work starts once you approve it.
One pass, built around the references you sent. Collect your notes into one set if you can, with timestamps where they help.
The final file list is agreed up front: master, instrumental, clean, a cappella, or whatever else the release needs.
What it costs
Rates are fixed for the four packages below. If your project needs something outside them, tell us the track count and the deadline and we will quote it in writing before any work starts.
Albums run to ten tracks at $1,170. Monthly subscription is $299. See all packages
Not ready to book a full mix?
Try one section for $50The $50 comes off your next full mix within 30 days.WHY ARTISTS TRUST US
Scope, quote and schedule in writing before we start. You approve the first full mix before final files are delivered.
Send clearly named WAV stems, all aligned to the same start point. Include your rough mix, your references, the tempo and the sample rate.
04 / BEFORE WE PRESS PLAY
The essentials before your next release. Have something else in mind? Let’s talk.
Send clearly named WAV stems or multitracks aligned to the same start point, your rough mix, and a few reference tracks. Include the tempo, sample rate and any creative notes. We can confirm export requirements before you send files.
Share your producer’s notes, rough mix and creative references so the project starts with a clear direction. Let us know which production choices need to remain intact.
Pricing and timing depend on the number of tracks, session complexity and the services required. Send a project outline so we can confirm the scope, quote and schedule before work begins.
We confirm the revision scope with your quote. Collect feedback into one clear set of notes, ideally with timestamps, so changes can be addressed efficiently.
We confirm the final delivery list before work begins. Tell us if you need a mastered version, instrumental, clean version, a cappella or other alternate files so they can be included in the scope.
The test mix is one section of your song, a verse, a hook or about eight bars, mixed by us for $50. We send it back within 48 hours. Order a full mix or master within 30 days and the $50 is applied as a discount code at checkout. It is a way to hear our work on your own track before committing to a full project. It is not a separate service tier.
A single-track mix is $150. A mix + master bundle is $195. A three-track EP is $399. Albums run $1,170 for ten tracks (12-track variant $1,350). Mastering-only from your finished mix is $60. You can try one section for $50 first, and that $50 comes off a full mix booked within 30 days.
The first full mix arrives in 3–5 business days; finished, release-ready delivery is 7 business days. The date is given when the booking is confirmed and it is held.
Hip-Hop, R&B and Trap are the home ground. The workflow (vocal forward, low-end control, translation) is built around those genres; other genres are considered case by case.
Yes — stem mastering is $60, mastering from your finished mix.
A full mix ($150) starts from your raw stems and makes all the balance, dynamics and space decisions. Stem mastering ($60) takes your already-finished mix and prepares it for release (loudness, polish, platform translation).
Unlimited rounds inside the agreed direction. The revision scope is confirmed with your quote; collecting notes into one clear set (with timestamps) makes rounds faster.
If the first mix is off, we revise it — or you cancel and get a full refund. Nothing ships until you approve the first full mix.
Export separate WAV tracks, all aligned to the same start point, with no master-bus processing and no clipping. Include your rough mix and 2–3 reference tracks, noting what to keep or push. (Full walkthrough: the site’s “How to export stems correctly” guide.)
Two or three references that are short, matched in loudness and swapped quickly work best. Note what you want kept or pushed — the mix is measured against your target, not a generic one.
Yes. An EP is three tracks in one session at $399. Albums run ten tracks at $1,170, or a 12-track variant at $1,350 — one session, one sonic identity across the release.
Yes — the monthly mix subscription is $299/month for artists releasing consistently.
Yes, as an optional add-on: artwork direction and design worked out with you, delivered in the correct sizes for every platform you ship to.
Yes — idea development: bring the parts you are unsure about (a hook that is not landing, a long second verse, an ad-lib idea) and we work through arrangement and structure with you, saying plainly what we would cut.
Yes — recording coaching before you record: microphone choice and placement, gain staging, how your room affects takes, and getting the vocal to sit the way you want without fixing it later.
01 / THE STUDIO
A considered setup for critical listening, precise control and musical decisions. Every part of the signal chain serves one purpose: bringing your record into focus.
01 / CONSOLE
Balance, character and the detail in between.
02 / CONTROL
Every move in service of the music.
03 / SESSION
A closer look at the mixing process.
MIXING GUIDES
The parts of mixing that decide whether a record sounds finished — written for artists and producers, not engineers.
BALANCE5 min
The four things listeners actually judge — emotion, balance, clarity and interest — and why a technically clean mix can still feel unfinished.
Read guide
FREQUENCY4 min
Masking: why instruments that sound fine on their own disappear when everything plays at once — and why the fix is usually arrangement, not EQ.
Read guide
LOUDNESS4 min
Equal-loudness curves explain why the louder version always wins an A/B test — and how to compare two mixes honestly.
Read guide
DELIVERY6 min
The export settings that prevent most revision rounds: consistent start point, no master-bus processing, no clipping.
Read guide
REFERENCE4 min
References only work when they are short, matched in loudness and swapped quickly. How to build a set that does that.
Read guide
TRANSLATION5 min
Every room flatters some frequencies and hides others. A practical routine for checking a mix across real-world playback.
Read guideWritten by the ParaMix team. No sign-up required.
04 / SERVICE BY GENRE
One page per genre, plus the $50 test mix if you would rather hear it on your own record first.
03 / EXPLORE
The whole site in one place. Pick where you want to go next.